Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.


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Samuel Palmer King Arthur s Castle,Tintagel,Cornwall oil


King Arthur s Castle,Tintagel,Cornwall
Painting ID::  26423
King Arthur s Castle,Tintagel,Cornwall
mk49 1848-9 Watercolour,gouache,graphite,black chalk and brown ink on buff wove paper
   
   
     

Samuel Palmer Farewell to Calypso oil


Farewell to Calypso
Painting ID::  26424
Farewell to Calypso
mk49 Watercolour,gouache and gold on London board
mk49 Watercolour,gouache_and_gold_on_London_board
   
   
     

Samuel Palmer Sheltering from the Storm oil


Sheltering from the Storm
Painting ID::  26425
Sheltering from the Storm
mk49 1849 Watercolour and gouache on buff paper
mk49 1849 Watercolour_and_gouache_on_buff_paper
   
   
     

Samuel Palmer The Willow oil


The Willow
Painting ID::  26426
The Willow
mk49 1850 Etching,sheet 18.8x14.6cm
mk49 1850 Etching,sheet_ 18.8x14.6cm
   
   
     

Samuel Palmer Storm and Wreck on the Cornish Coast oil


Storm and Wreck on the Cornish Coast
Painting ID::  26427
Storm and Wreck on the Cornish Coast
mk49 c.1858 Watercolour,gouache,brown wash and black chalk on grey paper 18.8x27.4cm
   
   
     

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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